Mike "Hitman" Wilson | |
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Born | Chicago, Illinois, U.S. |
Genres | House |
Occupation(s) |
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Michael A. Wilson is an American DJ and producer from Chicago. Initially a later member of Hot Mix 5, he later diversified into production; his 1990 single, "Another Sleepless Night", charted on the UK Singles Chart at No. 74, and when re-released in 1991 credited to Shawn Christopher, charted at No. 50. He also produced works by Orchestral Manoeuvres in the Dark, New Order, Mr. Lee, 808 State, and Ghost Town DJ's, and has been named as an influence by Octave One and Neal Howard.
Michael A. Wilson [1] is from Chicago. [2] He started off as a promoter, but deputised after the club's DJ couldn't make it; enjoying the experience, he began DJing at all his parties. He became friends with Farley "Jackmaster" Funk of Hot Mix 5, [3] a collective of DJs formed in 1981 for WBMX's Saturday Night Live Ain’t No Jive Chicago Dance Party, [4] after inviting him to spin a set at one of them; one day Funk let Wilson deputise for him, and from that guest spot Wilson became a member of the Hot Mix 5, [3] joining between the departure of Ralphi "Rockin" Rosario, Kenny "Jammin" Jason, and Mickey "Mixin" Oliver to WGCI-FM's copycat Jackmasters program in July 1986 and the latter's cancellation in February 1987. [5]
While at WBMX, in order to differentiate himself as the new boy, he began reediting tracks, such as adding intros and breaks, to make them easier to mix in and out of; from this, he began remixing them. [3] He stayed at WBMX until 1988, when Barry Mayo took over the station and fired all of its staff. [5] He then entered the DMC World DJ Championships with his friend Bad Boy Bill; afraid of losing his reputation, he produced a number of house tracks as insurance, on the grounds that if he performed poorly, he had production to fall back on. While there, he met Tony Prince and showed him his records, which led to Prince offering him a job as a DMC producer. [3]
In 1988, Wilson and Steve "Silk" Hurley produced "Brides of Frankenstein", a Chicago house megamix of Orchestral Manoeuvres in the Dark songs, [6] which charted at No. 7 on the American Dance Club Songs chart, [7] and when released as the B-side to "Call My Name", [8] charted at No. 50 on the UK Singles Chart. [9] The following year he produced New Order's "MTO", which when released in 1989 as the B-side to "Run 2", [10] charted at No. 49 on the UK Singles Chart, [11] and a remix of Mr. Lee's "Get Busy", [12] which charted at No. 41 on the UK Singles Chart. [13]
After meeting Rick Rock at Milton Lee Olive Park's jazz festival and offering to produce him, he suggested that Wilson instead produce his mother, Shawn Christopher; Wilson met her after she played with Nick Tremulis at the Riviera Theatre. [14] He produced "Another Sleepless Night", [14] which was initially released in September 1990 as "Mike "Hitman" Wilson featuring Shawn Christopher", [15] and appeared on an Arista Records compilation album; [14] with this credit, the song charted at No. 74 on the UK Singles Chart. [15] After the song topped the Dance Club Songs chart, Clive Davis summoned Christopher into his office, and convinced her to rerelease the song under the name "Shawn Christopher", on the grounds that she was the artist; [14] with this credit, the song charted at No. 50 on the UK Singles Chart. [15] Wilson also produced her subsequent work "Don't Lose the Magic", [16] which charted at No. 30 on the UK Singles Chart. [15]
In 1993, he remixed 808 State's "10 × 10", [17] which charted at No. 67 on the UK Singles Chart. [18] In 1996, he released a Club Mix of "My Boo" by Ghost Town DJ's, which popularised the song; writing in September 2022, Pitchfork's Samhita Mukhopadhyay complimented its "extended three minutes of atmospheric groove over Virgo Williams’ haunting vocals", and the publication declared his version the 74th best song of the 1990s, [19] one of 53 R&B songs on that list. [20] In the 2010s, Octave One [21] and Neal Howard named him as an influence. [22]
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 120-130 beats per minute as a re-emergence of 1970s disco. It was created by DJs and music producers from Chicago's underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat.
Orchestral Manoeuvres in the Dark (OMD) are an English electronic band formed in Wirral, Merseyside, in 1978. The group consists of founding duo and principal songwriters Andy McCluskey and Paul Humphreys, along with Martin Cooper and Stuart Kershaw (drums). Regarded as pioneers of electronic music, OMD combined an experimental, minimalist ethos with pop sensibilities, becoming key figures in the emergence of synth-pop; McCluskey and Humphreys also introduced the "synth duo" format to British popular music. In the United States, the band were an early presence in the MTV-driven Second British Invasion.
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the original house music DJs and producers from the area, such as Ron Hardy and Phuture.
Todd Norton Terry is an American DJ, record producer and remixer in the genre of house music. His productions helped define the New York house scene in the 1990s and used extensive samples that blend the sounds of classic disco, the Chicago house sound, and elements of hip-hop. He has remixed a wide variety of artists.
Bad Boy Bill is a disc jockey (DJ) from Chicago, Illinois, U.S. who plays an assortment of house music.
Farley "Jackmaster" Funk is an American musician, DJ and record producer of Chicago house and acid house music. He is notable for writing and producing a number of highly influential tracks in the mid and late 1980s.
Steve W. "Silk" Hurley, also known as J. M. Silk, is an American club DJ, house music producer, and songwriter.
"Get Ready for This" is a song recorded by Belgian/Dutch music group 2 Unlimited. It was released in 1991 as the lead single from their debut album, Get Ready! (1992). Originally, the single was produced as an instrumental, titled the "Orchestral Mix". It became a hit and conscious of their popularity, Wilde & De Coster wanted a more accessible, formatted formula for their project to grow. Ray was then asked to write lyrics and add a rap to the track. On Ray Slijngaard's suggestion, Anita Doth joined as the female vocalist.
Architecture & Morality is the third studio album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released on 6 November 1981 by Dindisc. Inspired by religious music, the group sought to broaden their musical palette by utilising elaborate choral samples, the Mellotron, and other new instruments to create a more naturalistic, emotive sound. The artwork was designed by longtime OMD collaborator Peter Saville, along with associate Brett Wickens, while its title was derived from the book Morality and Architecture by David Watkin.
"My Boo" is the only single released by Ghost Town DJ's. It was released on Jermaine Dupri's So So Def label and Columbia. The song, an invitation by a female to a male, blends R&B-style vocals over a bass beat. It was written by Carlton Mahone and Rodney Terry, with lead vocals sung by Virgo Williams. The song peaked at number 31 on the US Billboard Hot 100 on its initial release in 1996. In 2016, the song was re-popularized by the "Running Man Challenge" and re-entered the Hot 100, achieving a new peak of number 27 twenty years after its original release. "My Boo" was also a big hit in New Zealand, where it peaked at number three in October 1996.
The Best of OMD is a compilation album by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1988; marking a decade since the band's beginnings. The record essentially delineates the group's experimental early years from their pop-oriented later work: side one features recordings from 1979 to 1984, while side two is drawn from the group's 1984–1988 efforts.
"Electricity" is the 1979 debut single by English electronic band Orchestral Manoeuvres in the Dark (OMD), featured on their eponymous debut album the following year. Andy McCluskey and Paul Humphreys sing the lead vocals on the track together in unison. Recognised as one of the most influential singles of its era, "Electricity" was integral to the rise of the UK's synth-pop movement. It has garnered praise from music journalists and other recording artists.
"It's Tricky" is the fourth single released from Run-DMC's third album, Raising Hell. It was released early in 1987 through Profile Records and was co-produced by Rick Rubin and the group themselves. The song peaked at No. 57 on the US Billboard Hot 100 and No. 21 on the Hot R&B/Hip-Hop Songs. In the UK, the song reached No. 16 on the UK Singles Chart.
"Call My Name" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD). Remixed for its single release, it was issued as the fourth and final single from the group's eighth studio album, Sugar Tax (1991), on 18 November 1991. The single peaked at number 50 on the UK Singles Chart The B-side to the 7-inch single, "Walk Tall" is featured as the tenth track on Sugar Tax. An extended remix version was also released on the CD and 12-inch issues, featuring an uncredited female voice speaking over a telephone and the sounds of a rotary telephone dial.
"Souvenir" is a song written by Paul Humphreys and Martin Cooper of English electronic band Orchestral Manoeuvres in the Dark (OMD), and released as the first single from the group's 1981 album Architecture & Morality. Sung by Humphreys, the track is characterised by its use of slowed-down choral loops, and showcases OMD's early approach of utilising a synthesizer hook in place of a vocal chorus. The song has garnered praise from critics and fellow artists.
"Everyday" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released in 1993 as the third and final single from their ninth album, Liberator (1993). Co-founder Paul Humphreys, who had left the group four years prior, is credited as a co-writer. "Everyday" was the only single from Liberator to miss the UK top 25, charting at number 59. The accompanying music video features Sara Cox, who would later be known as a BBC Radio DJ.
"Shame" is a song by English electronic band Orchestral Manoeuvres in the Dark (OMD), released as the third single taken from their 1986 album, The Pacific Age, although it is a re-recording made after the album's release, presumably in early 1987, and was produced by Rhett Davies.
"Brides of Frankenstein" is a medley of excerpts from various Orchestral Manoeuvres in the Dark (OMD) songs mixed with dance rhythms by Mike "Hitman" Wilson and Steve "Silk" Hurley.
"Another Sleepless Night" is a song written and produced by Mike "Hitman" Wilson, and recorded by American dance music singer Shawn Christopher. The single, released in November 1990 by Arista as the lead off track from the album of the same name (1992), was the first of two number ones on the US Billboard Hot Dance Club Play chart for the Chicago-born artist, reaching the top spot in February 1991. It also charted at number 67 on the Billboard Hot 100. In the UK, the song was released in 1991, and again in 1999, peaking at number 50 on the UK Singles Chart and number eight on the UK Dance Singles Chart.
"Don't Lose the Magic" is a 1992 dance/house song recorded by American singer Shawn Christopher, which was co-written by Mike "Hitman" Wilson, Shawn's brother Gavin Christopher and Bill Dickens, and co-produced by Wilson with Neal Howard, Chris Cooke, George Hess and engineer Goh Hotoda. The single was the follow-up to "Another Sleepless Night", as well as her second number-one single on the Billboard Hot Dance Club Play chart, reaching the top spot on March 28, 1992, for two weeks. On the Billboard Hot 100 chart, it peaked at number 71, while in the United Kingdom, it reached number 30 on the UK Singles Chart, her highest chart position there. A 1999, remix of the song also hit the US Dance chart.
The track didn't take off until Chicago house legend DJ Mike "Hitman" Wilson put out his remix...